So Strange I Remember You (Alternative Version) | Thrice
Helter Skelter (cover) | Thrice
Sexy sexy song I swear.
Source: thevinckanator
Red Telephone | Thrice
“Son, imitate death’s true face;
For who and what and why’d they have to die?”
Source: thevinckanator
Digital Sea | Thrice
“I woke, cold and alone, adrift in the open sea.
Caught up in regrets and tangled in nets
instead of your arms wrapped around me.”
Source: thevinckanator
fortheloveoffuckforthesakeofpete:
Though I only ever gave you love
Child of dust - Thrice
Source: loadupthebong-crankupthesong
Circles (Remix)- Thrice
Source: perishwithemptiness
Flags Of Dawn | Thrice
In my top five Thrice songs. That’s a tough list to get on.
“watered by the blood of martyrs
blessed and blind as sons and daughters
sleep with one eye open
and live with both eyes shut”
Source: thevinckanator
Thrice - Like Moths to Flame
Source: nuclearmedicine
Thrice - Yellow Belly
New Song from Major/Minor
Source: katielopezzz
The Artist In The Ambulance - Thrice
Source: soundaddiction
ALTERNATIVE MIX of The Artist in the Ambulance
Some lyrics are different and other tech stuff
Riley always has the most demo parts to sort through. I put three of his parts together and out came this song. He little added bar at the end of the second measure in the verse was weirding me out at first, but ever since I starting singing over it, I wouldn’t want it any other way.
Lyrically, the song deals with our fascination with “progress” which we seem to loosely identify with change. But true progress requires a set destination, something I feel most of us rarely have in mind when we use the term. I have to reference Chesterton again as the last line of the song is a paraphrase of this quote: “Progress should mean we are always changing the world to fit the vision, instead we are always changing the vision.” -DK
All the world is mad Daytrotter Version
In his book “Heretics,” G.K. Chesterton says this of H.G Wells, which I feel ties in with this song on multiple levels: ”He is still slightly affected with the great scientific fallacy; I mean the habit of beginning not with the human soul, which is the first thing a man learns about, but with some such thing as protoplasm, which is about the last. The one defect in his splendid mental equipment is that he does not sufficiently allow for the stuff or material of men. In his new Utopia he says, for instance, that a chief point of the Utopia will be a disbelief in original sin. If he had begun with the human soul—that is, if he had begun on himself—he would have found original sin almost the first thing to be believed in. He would have found, to put the matter shortly, that a permanent possibility of selfishness arises from the mere fact of having a self, and not from any accidents of education or ill-treatment. And the weakness of all Utopias is this, that they take the greatest difficulty of man and assume it to be overcome, and then give an elaborate account of the overcoming of the smaller ones.”
Some have already criticized this song, thinking it a defeatist’s manifesto of sorts; anyone who is familiar with my lyrics or outlook on life would seek a better explanation for why I’m digging into this dark place. As Chesterton implies, this topic is not a terminus, but examining it is foundational for building a coherent and holistic worldview. Those then that agree that “something has gone terribly wrong,” must find out why, and what, if anything, can be done about it. - DK













